Living and working in Los Angeles, the topic of head shots is popular (at least if you know folks “In the Industry”). Good head shots are a essential part of working as an actor or entertainer and having the “right” ones can often feel like the difference between getting a gig and not. At their most essential, a head shot is a portrait – all the things that go into creating a great portrait apply to head shots as well.

The needs and expectations of the casting process dictate there are certain “forms” that a head shot usually takes. However, that doesn’t mean all head shots are created equal. In fact, because there often isn’t much variation in terms of style and composition, it’s that much more important to have head shots that really capture your charisma and energy.

Long before you get a chance to make a first impression in-person, the casting director sees your head shot. That photo can either be just another part of your résumé or it can be your first statement as to why you’re right for the part.

How I approach a head shot

As I mention in the above link, my goal when shooting a portrait is to provide the opportunity for the subject to reveal themselves. A great portrait is a means for the subject to connect with the audience. It’s just that in this case, the audience is the casting director running the audition. When they look at your head shot they need to see an accurate representation of who you are – not only your appearance, but also your personality.

When we work together to create your head shots, it isn’t just a perfunctory photoshoot. I approach a head shot the exact same way I do any other portrait. I’m partnering with you and together we’re creating an image that conveys part of who you are as an entertainer/actor.

Whether it’s within the ‘standard’ form or a more stylized branding/promo shot, my goal is always to go beyond just make a picture of what you look like, and truly try to make a portrait of who you are.